Raffaele Auriemma

Multidisciplinary creative and graphic designer based in London, working across editorial, identity, branding, and visual communication.

A gallery exhibition wall displaying a series of 20 photographic prints of everyday objects. Each print features a single product centred against a bold, colourful background, accompanied by a written critique below.
An animated diagram of the Single Hand Clock, demonstrating how the single hand moves throughout a 12-hour cycle. The animation visually explains how the hand gradually transitions across hour numerals and minute markers, illustrating the intuitive time-reading system of the clock.
Magazine spread featuring another performance shot. The left page includes a smaller inset image of a stand-up comedian on stage, bathed in warm red lighting. The right page carries more of the article’s body text, with a pull quote in red emphasising the connection between humour and social bonding.
A set of four Megazine issues casually arranged on a black surface, each with a distinct pastel-coloured covers — pink (Winter 2024), blue (Spring 2023), green (Summer 2022), and yellow (Spring 2021). The covers feature the bold, hand-drawn Megazine logo in white, along with a list of contributing artists' Instagram handles and links.
Close up stack of the prints, showing the bottom part with text.
A row of four Single Hand Clock boxes, each representing a different material variation: greyboard, clear red acrylic, clear green acrylic, and clear blue acrylic. The packaging design is clean and minimal, with a structured layout that balances typographic clarity and visual hierarchy. Each box features the product name in a bold, sans-serif typeface on the spine, with a small preview image of the corresponding clock variation below, along with a subtle colour-coded system to indicate material differences.
Close-up of a dark blue, leather-textured booklet cover with silver-foiled text reading "An introduction to Thirdway Boutique." The refined embossing and metallic sheen enhance the premium, tactile quality of the material, reinforcing the booklet’s high-end craftsmanship and sophisticated branding
A laptop screen displaying the Miamani Fortura website, with text and an image of an exhibition space with an abstract installation and two abstract artworks.
A close-up of a person’s back pocket in black jeans, with a bright yellow Megazine issue partially tucked in, showing its cover design.
A black-and-white two-page magazine spread featuring documentary photography from the 2020 Black Lives Matter protests in London. The left page captures a dynamic street scene with protesters marching, while the right page highlights a woman in a headscarf raising her fist in the air against the backdrop of a city skyline and protest signs. The bold, full-bleed photography immerses the viewer in the moment, with minimal text along the edges crediting photographer Caroline Hasy and contextualising the images. The layout emphasises raw emotion, activism, and movement, aligning with the visual storytelling of protest culture.
Animated geometric alphabet.
Animated geometric letters of the alphabet, appearing one after the other.
A poster design for the "Type & Riso Printing" workshop at the University of East London. It features layered pink, yellow, and green-grey riso-printed letters arranged chaotically over an image of a wristwatch, with workshop details in small blue text at the bottom.
Switched on vintage light bulb against a black background.
A soft pink book cover featuring Miamani Fortura ASCII Art logotype, with an ASCII Art linear geometric illustration.
Poster with text saying: There are so many of us, yet we are all the same.